Narrated by Konstantina Vlasakidou © Municipality of Sifnos Located in the Cyclades, the island of Sifnos boasts one of the most notable pottery traditions in modern Greek history. For over three centuries, Sifnos residents have been continuously engaged in ceramic production. Today, pottery remains an essential activity on the island, with more than 15 active workshops. Sifnian ceramics are deeply connected with the island's cultural heritage, artistic expression, and economy. The development of pottery on Sifnos is largely due to the abundance of refractory clay and the rich natural resources the landscape offers, coupled with the exceptional skill and craftsmanship of Sifnian potters, passed down through generations. Eventually, the term "Sifnian" became synonymous with a person practicing pottery, known locally as "tsikalas" (potter), "aggeioplastis" (pot-maker), and "kanatas" (pitcher maker). Historically, the primary land uses on Sifnos have included wood-cutting, agriculture, tourism, and mining. In ancient times, the island was renowned for its gold and silver mines, which remained productive until around 400 B.C. From the 16th century until the early 20th century, iron and lead mines were also active on the island. During periods of piracy in the Cyclades, workshops were situated inland to meet local needs. As the threat of piracy diminished, especially after the establishment of the modern Greek state, potters relocated their workshops to coastal areas, where conditions were more practical, and there were better opportunities for export trade. But how was this production carried out? At the height of the pottery industry, specialized roles were created: the "kladas" gathered wood for the kiln, the "homatas" collected the clay, the "moularas" transported the clay by mule, the "kopanistis" prepared the clay for throwing, and the master potter, assisted by the "basperetis," shaped the final products. Sifnian potters also migrated to other islands and various regions of mainland Greece, particularly Attica, including areas like Maroussi, Halandri, and Agia Paraskevi. Some even ventured abroad, spreading their craft and establishing the reputation of Sifnian pottery internationally. © Municipality of Sifnos Today, the pottery workshops on Sifnos produce a variety of household items for cooking and storage, such as the "mastelo" (a large baking dish), the "tsikali" (pot), the "kouroupou" (small jar), and the distinctive "flaros" (chimney pot). Alongside these traditional items, Sifnian potters continuously experiment with new forms and colors, staying true to their heritage. They embrace contemporary trends and aesthetics, developing new designs alongside traditional ones, with each workshop maintaining its unique character. They modernize their equipment and refine their craft, ensuring that pottery remains a viable livelihood, especially for those without income from other activities such as livestock farming or tourism.
There is a spirit of healthy competition and collaboration among local workshops, many of which have their own shops within the island’s settlements. Thanks to this practice, the production and sale of ceramics significantly boost the local economy. An essential mark of this vibrant tradition is that all pottery workshops on Sifnos are open to the public, allowing visitors to watch local potters at work. Furthermore, the Museum of Ceramics in Sifnos hosts cultural, educational, and recreational activities, promoting the island’s cultural identity internationally while creating a cultural legacy for future generations. It offers ceramics courses to inspire new ideas, seminars to advance the art, and periodic exhibitions featuring both local and international ceramists. Last but not least, the pottery tradition of Sifnos is actively promoted as a core aspect of the island’s cultural identity. The Potters' Association, in collaboration with the Municipality and community members, organizes exhibitions and activities to promote and preserve this art, aiming to safeguard the cultural heritage and memory of the island. For the Sifnian potters' community in Maroussi, preserving and promoting Sifnos' pottery tradition is equally important, seeking to bring greater recognition to their craft.
0 Comments
Narrated by Irene Reyes Suero San Isidro's Meadow has long been a source of inspiration for Goya, and it's easy to see why. Every year on May 15th, Madrilenians—affectionately known as "cats"—put on their finest traditional attire and flock to the Hermitage of San Isidro, located in the meadow of the same name. This day, the Day of San Isidro Labrador, is marked by joyous music, dance, and food.
In the days leading up to May 15th, the Pradera transforms into a vibrant sea of "chulapos" and "chulapas," the names given to those dressed in traditional costumes. This celebration honors San Isidro Labrador, the patron saint of Madrid, whose miracles were closely tied to water. A cherished tradition during the festivities is drinking "agua del santo" (the saint's water) from the spring at San Isidro's Hermitage, believed to bring good luck for the coming year. Though rooted in religious tradition, the celebration has evolved into a broader festival of Madrid's culture, heritage, and community. Locals from all generations gather to savor traditional delights like Madrid-style donuts and lemonade, and to dance the "chotis." Unique to this dance is the role reversal where the woman leads the man; it is said that a well-executed chotis makes the man glide as gracefully as a toy dancer in a music box. While the festivity is a tribute to Madrid and its people, the "cats" are known for their hospitality, making everyone feel welcome in their celebration of life and tradition. Narrated by Elif AYDIN ©Yaara Eshet - Flickr Across the Balkans, communities come together in celebration, honouring the deep-rooted traditions that enrich their cultures. May 6th marks a special occasion across the region, known as Đurđevdan in Serbia, Hıdırellez in Turkey, Gergyovden in Bulgaria, Gjurgovdjen in Macedonia, and Ederlezi for Roma communities. It signifies the transition from the cold of winter to the blossoming of spring.
These festivities represent more than just a seasonal shift; they embody a shared embrace of hope, vitality, and cultural legacy. Throughout the day, a variety of activities occur, each reflecting the unique customs of their respective areas. Yet, despite this diversity, a common theme unites them all: the celebration of life's eternal cycle and the resilience of the mortal spirit. Central to these rituals is the act of cleansing and renewal. Houses are meticulously cleaned, symbolising the casting away of the old and the welcoming of the new. Flowers and blooming twigs adorn doorways and windows, infusing spaces with the fragrance of optimism and growth. Bathing in spring flowers and blossoms not only refreshes the body but rejuvenates the soul, affirming the inherent connection between humanity and the natural world. As families and communities gather, they share in the age-old tradition of making wishes for the year ahead. These wishes whispered into the ether, carry with them the collective aspirations of a people bound by shared dreams and aspirations. It is believed that in these moments, as the old year fades and the new one dawns, possibilities abound, and fortunes are shaped by the power of intention and belief. Beyond the surface-level revelry, these celebrations serve a profound purpose: they reinforce social bonds, nurture a sense of belonging, and affirm our shared cultural identity. In participating in these age-old rituals, individuals contribute to a collective memory that transcends borders and bridges divides. They affirm that our cultural heritage is not confined by the boundaries of nations but rather serves as a timeless testament to the enduring spirit of humanity. In essence, disregarding how we label it, these feast day celebrations are more than just annual events; they are living expressions of our shared humanity, reminding us of the power of tradition, the beauty of diversity, and the unbreakable bonds that unite us all. Narrated by Elif AYDIN Centuries ago, in the heart of Istanbul, amidst the bustling streets and markets, Tatavla emerged as a vibrant neighbourhood. Originally established in the 12th century by Genoese traders seeking shelter for their horses, this enclave, later known as Kurtuluş, blossomed into a cultural melting pot, earning the affectionate moniker "Little Athens."
At the heart of Tatavla's charm lay the Tatavla Carnival, a cherished tradition also dubbed as Baklahorani or Apokria. This spirited festivity, cherished by the Greek Orthodox community until its prohibition circa 1940s, spanned 40 days of revelry leading up to Lent. Commencing with lively processions through the streets, the carnival culminated in the vibrant square outside the Aya Dimitri Church, where laughter and music filled the air. During the carnival, participants adorned themselves in intricate costumes, masks, and theatrical makeup, paying homage to the ancient cultures of Greece and Rome. What began as a celebration of merriment evolved into a profound expression of religious and cultural identity for Istanbul's Christian populace. Yet, the carnival's allure transcended religious boundaries, attracting curious onlookers and participants from all walks of life, including Muslims from nearby areas. In the spirit of carnival, distinctions between performer and spectator dissolved as each individual became an integral part of the colourful tapestry of revelry. The spatial dynamics of the Tatavla Carnival were equally significant, predominantly unfolding within non-Muslim enclaves such as Kurtuluş, Galata, and Pera. Iconic thoroughfares like Istiklal Avenue served as vital arteries for the festivities, welcoming a kaleidoscope of beliefs and backgrounds. From its humble origins as stables for Genoese merchants' steeds to its evolution into a celebration of cultural diversity and expression, the Tatavla Carnival embodied the resilience and ingenuity of Istanbul's communities. Though its official festivities may have ceased, its legacy continues to echo through the cobbled streets and colourful memories of those who revelled in its splendour. |
Photo © Ara Güler, 1986
Archives |